Drum samples labelled 808.

Composed using the numbers 3, 1 and 4 for semitone/rhythm intervals and chords.

Featuring electric-like sounds.

Or, seams of the water.

featuring wobble bass

Did a similar BPM pattern to OHC697, which was also an arrow theme.

(unoriginal title)

shell + break

or twins

or a wide landscape

1% pulses

Key + BPM change

This goes fast.

Orchestra but with bass + drums

This one's in wholetone.

Time-held cymbals.

Using only synthesizers, including the 'drums'.

Not much in here...

(didn't see the 13 until after making this)

Enveloping land

Electric synths

Low energy

Tried to add more synchronous rhythms in some sections this time.

String pads

Deep recursive layers...

space

Synthesized using sine waves, some low FM, and resonant noise.
(probably not what birds actually sound like)

Drop?

Approaching

ominous

Structured into two halves which play at different times; the melody that 'rotates' around are wheels, and the section with big chords are doors. On top of that, it sounds dramatic like a battle.

(reuploaded to fix one of the bass volumes)

Hardstyle bass!

seeing figures 'formed' by the water...

Not enough 'busy' in this song.

Light revealing parts of material object.

No effects, aside from processed drums.

Back then when I was using FM as bass? Also uses a similar phrase to my OHC522 entry.

I've noticed some time back that FamiTracker uses slightly different pitch (it's more noticeable in higher registers), so I sampled the instruments from FamiTracker to get that quality.

weird piano with dubstep noises

Made each note at most half key apart(disregarding octaves) and at least 1/16th apart in duration.

noise samples from famitracker

the noise in the back is generated using beepmap with the first image

each sound in this song is made using beepmap

different approach