Icy synths, reaching slower rates, lowpassed drum patterns.

Electricity-like sounds, mostly the background long notes, and short blips.
(didn't really put a proper end in this one)

(has no end, submitted late)
Spent more time trying to relate/align the rhythms between the lead, bass, and drums.

(reuploaded)
Might not be my loudest, for a theme like this.

Lowpassed snare hits like walking in snow, with highpassed melody and hihats to resemble coldness.

Spells out "FROG" in a few ways: characters bits representing octaves on the bass (at the beginning), and 1 letter per semitone on the melody, except for the switching things up once in a while.

With less drums, it seems more ominous.

This one is somewhat repetitive, with every other pattern in reverse.

(did reupload to fix some things)

Square arps for binary. Long filtering 'chords' for space.

Blocks look pixelated, so chip-blip effects. Not the most tonal or predictable, since explosion.

Adjustment-like sounds with panning effects.

Not very connected, but does feature various sections.

Floating, in air/water.

This one has a strong mood...

More "kick" sounds, at a fast rate.

(glitches may be a bit loud, didn't use dBlue for this)

Sparse drum patterns here.

Going for a light and easy melody.

It goes in different directions.

Set to 10 steps per second / measure

Time starts to disappear.

(doesn't really end properly...)

Most of it's going to be fast.

Used only synthesizers this time - the drums are also synths (with some compression + EQ).

(reuploaded to fix one of the tracks)

Didn't get much done here...

Seems to be of waves.

Fluctuations as reflections, light percussions as material 'hits'.

Wave function.

less of the high frequencies...

Increasing precision...

Exist no matter the condition.

All sounds made using synths.

Looks like a theme that would use BPM changes.

Featuring the lower frequencies.

'freezing' high ends + 'warm' low ends

Had the idea to have separate melodies alternate on the same instrument.

Metallic machinery.

Subtle oscillations between layers.

Drum samples labelled 808.

Composed using the numbers 3, 1 and 4 for semitone/rhythm intervals and chords.

Featuring electric-like sounds.

Or, seams of the water.

featuring wobble bass

Did a similar BPM pattern to OHC697, which was also an arrow theme.

(unoriginal title)

shell + break

or twins

or a wide landscape

1% pulses

Key + BPM change

This goes fast.

Orchestra but with bass + drums

This one's in wholetone.

Time-held cymbals.

Using only synthesizers, including the 'drums'.

Not much in here...

(didn't see the 13 until after making this)

Enveloping land

Electric synths

Low energy

Tried to add more synchronous rhythms in some sections this time.

String pads

Deep recursive layers...

space

Synthesized using sine waves, some low FM, and resonant noise.
(probably not what birds actually sound like)

Drop?

Approaching

ominous

Structured into two halves which play at different times; the melody that 'rotates' around are wheels, and the section with big chords are doors. On top of that, it sounds dramatic like a battle.

(reuploaded to fix one of the bass volumes)

Hardstyle bass!

seeing figures 'formed' by the water...

Not enough 'busy' in this song.

Light revealing parts of material object.

No effects, aside from processed drums.

Back then when I was using FM as bass? Also uses a similar phrase to my OHC522 entry.

I've noticed some time back that FamiTracker uses slightly different pitch (it's more noticeable in higher registers), so I sampled the instruments from FamiTracker to get that quality.

weird piano with dubstep noises

Made each note at most half key apart(disregarding octaves) and at least 1/16th apart in duration.