Trying out techno as a genre, don't know how to mix it at all but.... this is an entry

I tried to record a freestyle rap instead of mess with chords but I couldn't get it to really work on time.... here's a beat that works pretty well for freestyles, I was like "I freestyle in the day freestyle in the night, bring my freestyle to a knife fight" and I thought that was a good one. Microphones old and messed up though it just wasn't happening.

This song represents me exiting the caves of slopp into more hospitable terrain. didn't get farther than that really, I'm rusty on this OHC deal

this is all I had time for. missed about 50 minutes of compo. this songs about how sometimes you can go to hell and sometimes, you'll come back. this is about the second time that happened

jesus, not going on irc this time.

You venture into a ppleasant mountainous snowscape but get killed by a yeti. and that's just the way the avalanche crumbles!!! ice to meet you. I feel like all my ohc stuff inevitably gets tritely symbolic, here is a good example . the dissonant part represents mad yeti carnage

You are going to work. Here's the part where you have to dodge pedestrians. Stress time!! Work is difficult too. Suburbia is treating you bad.
-Young Man in Suburbia

you got the triforce.
nice going, good job


this was made w/ milkytracker (i don't know how to use milkytracker really)

You are in a hurry to cook a casserole and you are worried

An attempt at a concept song. There's a motif that represents a stranger that is immediately enmeshed in a jarring, fast-paced, ugly environment. Thus the stranger slowly fades, leaves. The motif returns in a comfortably slow environment, one that has chord progression that is much more conducive to harmony. The stranger has come home, and is no longer strange. I don't know if this worked at all. I'm pretty blazed yo

the impact here is supposed to be when the drums are occasionally dotting the landscape I guess .
..

Those goofy ass looking dogs. This song is for them. This is their song.